GAAP KVLT - a mysterious hooded figure whose origins are apparently Polish, but his use of sounds suggests that he could be either a reincarnation of one of the Egyptian priests, or a witch-doctor who got lost on the way between Detroit's urban decays and Berlin clubs. Gaap Kvlt likes to use confusing clues, but fortunately leaves some traces in the form of recordings. His achievements to date include the well-received, short, yet concise cassette "Inconnu" and two strange, unnamed mini-CDs prepared for the Unsound 2013 and Trans: Visions festivals. During both of these events, Gaap Kvlt himself also revealed in front of listeners, creating fresh but heavy set of electronic experimental techno music drowned in the darkness..

This spring, an artist whose face remains unknown, Gaap Kvlt debuts with a full length album entitled “Void”. It's a quite perverse title, especially in the context of the distinctive musical language used by this mysterious creator. Gaap Kvlt abhors vacuum. He carefully fills all available space with noise. Low, undulating tones, heavy industrial beats and terrifying sounds. - I use restless and cool sounds, drums and field recordings from the Maghreb and the Middle East - says the creator. Contrary to it's title, his debut album “Void” is indeed important. This is Gaap Kvlt's first time engaging with a longer form. - This allowed me to use a greater variety of composition and to build a climate - the artist explains.  “Void” also brings us a promise of warm desert wind and the impenetrable darkness of the Saharan night.

Sympli Romatikó is a trio with more or less stable residence in Kraków, Poland. The group’s main focus is interactive performance, algorithmic composition, virtual worlds, this kind of stuff… Pretty scientific and inhuman, but made by humans and for a humankind.

"We see music not as a sequence of events, but as a dynamic system, which we can only pretend to control. If an order becomes slightly more complicated, than just a simple “if-else” directive, the system tends to fall apart as more and more hidden inconsistencies unfold. Those anomalies is our material, we are standing on the surface of the meticulously painted chart and trying to hold on not to be buried under the pure chaos."

All the electronic sounds are programmed manually in SuperCollider. No commercial synths used.